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Several important themes were built into the call for papers and the selection which resulted from an initial one day symposium held in 2004. The intention was to focus on new research with new perspectives, to look at the relationship between Chaplin and his country of birth, to explore the diversity of Chaplin's influence and to examine the correlation between the icon of the tramp figure and modernism. In addition the intention was to bring newly restored film material to the academic community and to foster discussion with the archivists. Several of the conference papers are published in full. Not all papers are available as they are scheduled for publication in various books and journals. Where possible we will provide links and information on where these are to be found.
Conference schedule (PDF, 37k)
Abstracts in order of the conference schedule (PDF, 150k)
by David Trotter (PDF, 43kb)
An edited extract from the forthcoming publication by Blackwell Publishing (available January 2007):
Cinema and Modernism
ISBN 10: 1-4051-5982-0
ISBN 13: 978-1-4051-5982-1
by Cecilia Cenciarelli (PDF, 291kb)
by Sidney Gottlieb (PDF, 59kb)
by Tom Gunning (PDF, 107kb)
by Ono Hiroyuki (PDF, 86kb)
The Reception of the The Great Dictator in West Germany, 1952-1973
by Peter Krämer (PDF, 180kb)
Conceptualizing Chaplin and American Culture
by Charles Maland (PDF, 110kb)
by Ulrich Ruedel (PDF, 67kb)
by Daniel Sánchez Salas (PDF, 56kb)
The Big Show: British Cinema Culture in the Great War 1914-1918. Michael Hammond Lecturer at University of Southampton and Academic Advisor on the bfi Chaplin Conference writes about the reception of Chaplin films in Southampton during World War One.
Steve Ross will be publishing his paper in a revised version as chapter 1 in the book Hollywood Left and Right: How Move Stars Shaped American Politics (forthcoming Oxford University Press).